Henri Haake (b. 1989, Lübeck) is a German visual artist whose painting practice explores the poetic resonance of everyday life through memory, perception, and layered reconstruction. His work unfolds as a dialogue between the visible and the obscured, where familiar scenes are transformed into atmospheric, introspective compositions. Working through processes of layering, overpainting, and reduction, Haake constructs images that gradually dissolve, leaving traces of earlier gestures beneath the surface. Figures and narratives remain partially visible, suspended between presence and disappearance, suggesting the instability of memory and perception. Color operates as a sensory rather than descriptive element, shaping mood and emotional tone while guiding the viewer through these ambiguous spaces.

Haake studied at the Universität der Künste Berlin and at Hunter College in New York City. Haake has presented numerous solo exhibitions, including Bad Gateway and Not Yet, Not Anymore in Berlin, and Floating Worlds in Lisbon, alongside group presentations across Europe.

Based between Berlin and Rome, Haake continues to develop a practice that navigates the shifting boundary between perception and memory, where images emerge, recede, and persist in states of quiet transformation.